Interview with Mocienne Petit Jackson, author and daughter of Michael Jackson? Mocienne Petit Jackson’s (Michael Jackson’s daughter) books are now out in Portuguese! Slowly but surely Mocienne reaches the conclusion that the mafia played and still play a large and destructive role in his (and her) life. It should also be noted that his family, especially his mother and father, is to blame for many things. To date Mocienne has received no cooperation from the Jackson family in order to have a DNA test done so as to conclusively prove that she truly is Michael’s daughter.
At present, Ms Jackson is seeking to make a name for herself as her own individual. Thriller, for example, offers unique insights on her life by including stories concerning unusual and difficult situations that she experienced while living in the Netherlands. She argues extensively, for instance, that the harshness of the Dutch political system has had a significant impact on her character, and that by writing about it she can express a sense of frankness. Legal circumstances aside, Ms Jackson also expresses a strong personal sentiment toward Michael Jackson. She claims that, although the relationship she had had with her father did not manage to fully develop, he had indeed loved her and he was glad to have her as his child.
Ms Jackson believes that such misinformation has poorly informed the public both about her relationship to Michael Jackson, and about her motives for having taken the matter to court. Her autobiographical series, Thriller, documents her life and gives her assessment on the state of affairs. Additionally, due to the fact that her aunt Diana Ross has declined to provide the press with comment regarding Michael Jackson since his death, Ms Jackson believes that crucial insights about the story are being concealed from the public. As a result of this, Ms Jackson was prompted to write the second instalment of her three-part autobiographical series, Thriller: The Dark side of the Netherlands, which focuses on her life in the Netherlands as well as the context surrounding the court case.
Thriller (1982): Let’s ignore the fact that Thriller is the best-selling album IN THE HISTORY OF THE PLANET or that its album cover is one of the most recognized in music history. Thriller earns its place atop this list because in just nine tracks, it rewrote all the rules. The title track is almost a clichéd Halloween song in 2018, but in its heyday the 14-minute video broke barriers for artists of color. “Billie Jean” was so popular that it forced MTV to not only pay more attention to black artists, but also caused it to shift its programming focus to pop and R&B records. Every single track is instantly recognizable to even novice music fans and the album was so good that it became MJ’s curse – he was never able to top it, so all subsequent releases were slighted by fans and critics. Thriller opened doors for musicians of color, put music videos on the map and made Michael Jackson the greatest performer of all time. Yes, it’s MJ’s best album. Maybe the best album ever.
Ms Jackson also claims that her father had a tendency to exhibit unusual behaviour which she believes may have arisen from the knowledge that he had kept his daughter in secret since the age of seventeen years. Michael Jackson allegedly did not discuss the topic openly because it was difficult and frightening for him to come to terms with. Mocienne Petit Jackson’s Thriller autobiographies were published in 2015 and were made available on Amazon in 2018. They are also currently available for purchase through Kobo. The books are available in English, Dutch, and Chinese. Future versions of the books will be made available in French (2020), Portuguese (2019), Japanese (2020), German (2020), and in Spanish (2020). Read extra information on Michael Jackson Daughter Interview.
She asserts that the stories which had been published in late-2010 in light of the case have had a damaging effect on her reputation and on her business operations, and she expresses her belief that some measure of responsibility ought to be taken for the detrimental effects that being in the media spotlight can have on one’s repute. Ms Jackson also points out that the role of social media runs in a similar vein—alleging that it was used as a means to verbally harass her in relation to the court case, as well as to spread misinformation more generally. You maybe heard about the case of Mocienne Petit Jackson, called by the press the Michael Jackson’s secret daughter. What you probably didn’t know is the fact that Mocienne Petit Jackson is a creative writer, with plenty of book available on Amazon and most of the other major book retailers. Contrary to the conclusion that has been suggested by members of the international media, the L.A. County Superior Court did not throwout the case of Mocienne Petit Jackson in 2010 on the grounds of the case’s integrity. Instead, the request to validate Ms Jackson’s claim using DNA evidence from the deceased Michael Jackson was not granted due to the fact that the State of California does not possess the jurisdiction to conduct DNA tests on the deceased. As a result, the case has remained open indefinitely.
For the most part, the collaborations actually hurt the songs. No, “Monster” isn’t the next “Thriller”, as 50 Cent claimed it to be, but it’s a decent song. Jackson sounds awkwardly retro, the beat shuffles ‘n’ sweeps, and it feels right…until you’re thrown next to 50’s uninspired rap that sounds more fitting for a summer blockbuster theme. The same goes for the highly irritating and incredibly repetitive “Hold My Hand”, where Akon belts out the same thing again and again in an equally monotonous pitch. For a lead single, it’s tepid and incredibly campy. Then there’s “(I Can’t Make It) Another Day”, featuring guitar wizard Lenny Kravitz, who churns out a chalky riff that tires 45 seconds into the song. Jackson himself sounds angry, forceful, and dominating, but altogether it doesn’t beg for a re-listen. That’s sort of a must when it comes to his music.
Partly, this is because non-solo Jackson tunes are wisely included: Rockwell’s 1984 hit “Somebody’s Watching Me” and two of the Jacksons’ best tunes are reconstituted betwixt “Thriller” and “Leave Me Alone” to give their minor-key menace a flow. The horn-y “Xscape”, first unveiled in 2014, is given a chance to shine in its Prince-circa-Come way, while overtaxed 2001 swan song Invincible gets its excellent bookends, “Unbreakable” and “Threatened”, subsumed into something greater (though it’s not clear what the former, a not-spooky-at-all Biggie duet, is doing here). It doesn’t take much to pry the famed Janet duet “Scream” from the jaws of HIStory’s mediocrity. Discover additional information at Michael Jackson Daughter.