Sequoia Slentz and the ascent of a live shows producer expert? His career path, Slentz said, has unfolded through connections he’s made at each stop along the way. “I really owe thanks to Chip and Chuck at the Sandpiper for giving me the opportunity to get this all started,” he said. “If it weren’t for them giving me a shot at booking shows, I probably wouldn’t be here.” Cleanbox got its start by booking gigs like Harry Palmdale and Saint Ann’s for the Piper’s Monday night shows. The owner of Gypsy Lounge, who frequented the Piper and was blown away to see that Cleanbox pulled in a crowd on Mondays, asked Slentz to do Wednesday night bookings at Gypsy.
Sequoia Slentz profile in 944 Magazine : Although the world CleanBox inhabits is a far cry from the glossy photo spreads of beautiful people getting their rocks off that fill the mag’s pages, the recognition is still appreciated. Even though we despise the types of people who are into the magazine: the Armani and cologne wearing set, the bitchy, fake-titted chicks who won’t give us the time of day, we are ready and willing to accept all publicity. Plus, Sequoia and I got some free tequila at the photo shoot. Nothing beats a semi-solid excuse to drink hard liquor at noon.
About Sequoia Slentz: Owned and operated CleanBox Entertainment since 2001. Over the past 4 years we have produced major live events nationwide. My company created a television show which was licensed to Howard TV in 2009. We are interested in all ideas. Specialties: Designing, Manufacturing, Merchandise, Producing Live Shows, Creative Marketing on a budget, Event Planning.
Sequoia Slentz event planning tricks: With every live event there are various templates that can be applied to the production. While each set up is distinct there are standards to follow when the space allows. Most live events takes place in an auditorium, conference room, convention center or ballroom. Video village, as it’s called, or video control is back stage and is where the director, technical director, producer, engineer, graphics, protectionist and webcast or videoconference producer are, and that’s the central nervous system of your equipment set up, signal flow and distribution, connectivity, interactive tools and lots and lots of cabling. Go into each set up with a game plan on how you will set up video village, where each station will be and what needs to connect to what.
Sequoia Slentz on Covid-19 times and the entertainment industry : “In what ways have you seen COVID-19 affect the music industry? The pandemic has been pretty devastating for live entertainment and in general, and especially the music industry. It’s been especially challenging for up and coming artists that want to get out there and play live. Now, clearly, all they can do right now is a live stream, but if they don’t already have a large following, that can present its own challenges. The pandemic has hurt all artists, even larger acts had to cancel tours. Ultimately what we’re talking about is that there has been loads of money lost for the artist, for the promoters, also for the sound engineers, light engineers, stage crew, food vendors, security, stage techs, drivers, venues, and merchandise sales in live music. Furthermore, the pandemic has created a lot of self-doubt and uncertainty for artists. Some artists are now thinking about shifting to a different career or creating side hustles. Multiple income streams are the way to go even during normal times.
Killers of Comedy & Sequoia Slentz : We travel around the country with the Killers, meeting super fans everywhere we go. When you hang out with Beetlejuice before a Killers show, you feel like you’re hanging with freak show royalty. Everyone recognizes him and everyone loves him. But, after traveling from SF, and the extremely hectic Artie show, Levy, Yucko, and Shuli were all exhausted. We dragged them down to the party to find what looked like the cast of the Andy Griffith Show, a gang of 30 white collar Republicans and their families, sitting in a generic hotel conference room, with zero knowledge of the forthcoming entertainment.