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Checking the Only Insert Available option means Auto Keyframing only affects scene elements that are already animated: Blender, like many 3D applications, has a feature that will automatically insert keyframes when you move an object or bone. Blender calls this feature Auto Keyframing or ‘autokey’. I prefer animating this way because it saves on keystrokes, and because otherwise I sometimes forget to key part of a pose I’ve been working on. The drawback of using autokey is that it also sets keys on things you aren’t intending to animate. For example, if I tweak the position of the camera or lights, and then tweak them again later on at a different frame, this will result in them being animated, even if I don’t want it to be. Fortunately, Blender offers a way to solve this: Only Insert Available. With this option toggled on, autokey will only set keys on things that are already animated. The first time you key something, you have to do it manually, but from then on the process is automatic.
When you do a lot of modeling from blueprints you probably know this issue: In orthographic view, the lines from the reference image become indistinguishable from the wireframe. This makes modeling very hard and unpleasing. An easy solution for this can be found in the viewport shading menu. Change the colour of the wireframe to random and it will be easier to differentiate the edges from the blueprints. Another option, that I actually prefer, is to open the blueprint in an image editing software and change the colours of the lines. This is very simple but extremely effective!
Last, but certainly not least: the simplest possible solution is usually the best one to choose for every part of your hard surface model, especially in the beginning. Small operations, clean meshes, and a principled approach are the best investments that you can make in your model. It’s worth remembering that you can always add another subdivision as you progress—once you’ve made the commitment, however, more geometry means that more of your labor and time will be required to modify what you’ve subdivided later on. This is probably the most compelling reason to follow this last tip—a low-poly foundation makes working in broad strokes much easier. Once you’re happy with what’s in front of you, you’ll be able to really dive in without wasting time.
Setting up libraries of standard facial expressions speeds up your first lip sync pass: Pose Libraries are a great way to rough in animation, particularly for facial animation and lip sync. This is especially useful if your rig uses bones and drivers rather than exclusively relying on shape keys for phoneme shapes. I like to make a bone group for my lip sync controls and use those controls to create my phonemes. Each phoneme gets saved as a pose in my character’s Pose Library ([Shift]+[L]). When animating, select the bones in the lip sync bone group and press [Ctrl]+[L] to enter a library preview mode. You can then use your mouse’s scroll wheel or [Page Up]/[Page Down] to cycle through the poses in your library. Choose your pose and insert your keyframes. This works as your first rough pass on the lip sync to get the timing right. Discover additional info on 3darts.org.