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Setting up a master file to control the final grade for an entire project minimises time spend testing renders: a trick Red Cartel used on its animated short, Lighthouse: Most large animation projects require you to keep track of many individual shots and grade them consistently at the end. You can use the Blender sequencer and compositor to do this. First, start an empty .blend file. This will be your master file. Link in every scene you need from the individual .blend shot files and place them in order along the timeline of the sequencer in the master file. (This helps the editor, since the Blender sequencer produces an OpenGL version of each scene, making it easy to see the latest work from each scene in real time.) You can now set the look and feel for each section of the animation. Select a group of shots that must have the same visual properties, and group those nodes together inside the master file, calling the group ‘Master Comp’ or something suitably witty. Go to each of the original individual shot files and link back to the Master Comp group.
If you have lots of objects in your scene it is important to keep them organized and name everything accordingly. This is a really boring task, especially if you have lots of object names that need to be changed. In this situation the batch rename feature comes in as a real lifesaver. Press Ctrl + F2 to open it up. Then use the find and replace fields to rename a specific word in multiple objects at once. This tool has quite a few more features for renaming and organizing. I explain all of them thoroughly in a recent tutorial. Are you thinking about upgrading hardware to speed up rendering? If so, you should definitely visit opendata.blender.org. This is an official page by the Blender Foundation, designed to compare the performance of different graphic cards and CPUs for rendering. You can even do your own benchmark renders and compare your current setup to the performance of other GPU’s and processors on the market.
Never try to attack the entire model at once—instead, give each task your undivided attention. The more effort and focus that goes into every piece of the puzzle, the better everything’s going to end up. It’s next to impossible to master hard surface modeling without studying hard surfaces in their many forms—namely, in real life, as well as from photos and things that you read online. This includes not only using reference images but taking the time to make meaningful observations about stuff that you run into, even if it’s just something like the peeling yellow paint on an old steel banister. Structural details, mechanical details, and aesthetic design choices can all be fascinating to learn more about, and everything that you take in will inform your work greatly.
You can make Blender part of your professional pipeline with this set of workflow tips and tricks from five of its leading artists. Blender may be free, but it isn’t just a tool for hobbyists. The powerful open-source 3D package is now used on a variety of professional projects, from the Blender Foundation’s own ‘open movies’ to illustrations, animated commercials and even visual effects work. While the fundamentals of Blender are well covered by training materials available online, there is little information targeted specifically towards this new group of professional users. Read even more details at https://3darts.org/.