GlobalTalentNetwork recruitment management software for casting agents: Track and Select: Our easy-to-use tracking software simplifies keeping track of your top applicants and moving them through your hiring process. Reports and Analytics: TalentNest helps you get the essential information you need to run your HR department. Reports on Time to Hire, retention, candidate source performance, turnover — we have you covered! Our fully hosted branded job board easily integrates with your career site and provides a landing page to post jobs, including internal-only postings. Your job board integrates with external online job boards to help distribute your postings for increased candidate flow. Read additional details talented artists tools.
GlobalTalentNetwork tips for talent agencies : The local media is always looking for a buzz-worthy story, which you can create. If your talent agency is new, create a press release for the local news outlets that describes your agency, your experience, the type of talent you seek and your contact information. To ensure your press release gets in the right hands, call the newspaper or news source to find out the appropriate person’s name and email address or fax number. If you are hosting a special event, like a charity dinner, let the editors or producers at local news agencies know about this event to see whether a reporter would like to write a story about the event and your talent agency.
Referrals can help. Grossman Jack Agent Jess Jones shares “As an agent and as an agency, we take talent referrals very seriously. If you are working with an actor (someone you like and trust and respect), and if they are working with an agency you also like and respect, a referral of you to their agent would probably go a long way.” Remember, this is a business and even though agents are usually friendly folk, it doesn’t mean they are your friend, so don’t act too familiar or over share when you first meet a potential agent. Think “business casual” behavior in which professionalism, timeliness, and preparedness are key. See more info https://globaltalentnetwork.com/.
Narrow down your list. The size and status of the office you should realistically approach is determined by how far along you are in your career. When starting out, you’ll find that the small- and medium-sized offices are often more receptive to meeting new talent—but if you do have an “in” at a major agency, go for it. If your timing, talent, and type are right, you could get lucky. (Check out our lists of agencies for early- and mid-career actors in New York City and Los Angeles for ideas.) Start with a list of about 15-20 first-choice agencies; you can also put together a similar list of second-choice options. Prepare and submit your materials. Now that you’ve identified the reputable agencies you plan to pursue, you’ll need to submit four things.
Preparation: Walking into an audition without having your sides at least mostly memorized for a television series, or a monologue and audition song completely memorized for a musical or theatrical production, is a waste of everyone’s time. Show yourself some respect and build a reputation for being prepared for auditions. If you’re not right for this role but manage to make an impression on a casting director because you put in the work, they might bring you in for something else you’d be perfect for! (Pro tip: For musical auditions, says Backstage Expert Andrew Byrne, make sure your binder with your sheet music is well-organized, its pages are double sided, and your musical cuts are properly labeled.)
Samuel L. Jackson describes the role of a manager as the following: “Managers have relationships that agents don’t have—relationships that allow you to meet writers, producers, and other people that aren’t just based in a specific project. These are people who are planning to do things, who could put you in their plans. They can connect you with writers who can write specifically for you. And they do put pressure on agents to produce and bring you more work. Or they’ll help you find an agent who can do that.”
Your dream is to become a working actor. You’ve always been told you “have it,” but the phone doesn’t ring for callbacks. What separates professionals from wannabe prodigies isn’t inspiration. It’s preparation and execution. Take control of your audition with these 10 helpful tips to improve your skills. Play opposites: Yelling isn’t the only way to show hatred or anger. Sometimes being quiet as you make your point is a powerful display of emotion. Playing opposites is a much more interesting choice than the obvious.
Visualizing your audition from start to finish, as well as creating an audition playlist, are also great ways to ease tensions and get your head in the game. But ultimately, remember: what’s the worst that could happen? You don’t get cast? So what? There’s no use trying to fit into a box you don’t belong in—so on to the next! For self-tape auditions, you must have good lighting, a neutral background, the proper framing (not too wide, not too close), no distracting objects in the room (i.e. plants, pets, posters), and most importantly, good sound. You likely won’t get hired if they can’t hear you. Oftentimes, creatives are unavailable to attend every audition. Or auditions are being held nationwide and you’re submitting from Missouri to a casting director in L.A. Or the CD wants to get a feel for the network response before bringing you for an in-person. Sending a self-tape is one way to ensure you are in the running to get seen for the role—despite your lack of physical presence.
What’s the difference between an aspiring actor and a working actor? Often times it’s just a good agent. Georgia’s film industry is booming. There are dozens of movies and TV shows filming at one time… Are you looking for an acting, dance, or a Los Angeles talent agent? Here is a full list of LA talent agencies you need to know? The most reliable way to become a famous actor in… Are you looking for an acting, dance or a New York talent agent? Here is a full list of New York talent agencies. What’s the difference between an aspiring actor and a working actor?